Another jewel from this amazing movie: the potential consequences of your deciding to accept an offer from the “No Such Agency” ;-). Just keep it in mind next time you go for a job interview with them (rest assured, however, that unless you are a US citizen you are very unlikely to find yourself in such position).

I love this scene from the movie Good Will Hunting. In little more than two minutes, it encompasses one of the fiercest critics against the American educational system that I have ever seen. The bottom line? Be careful who you pick on when you’re at a bar and, above all, avoid being “unoriginal”… ;-)

Will: See, the sad thing about a guy like you is, in 50 years you're gonna start doin' some thinkin' on your own and you're going to come up with the fact that there are two certainties in life: one, don't do that, and two, you dropped 150 grand on a f***in' education you could have got for a dollar fifty in late charges at the public library!

Clark: Yeah, but I will have a degree. And you'll be servin' my kids fries at a drive-thru on our way to a skiing trip.

Will: That may be, but at least I won't be unoriginal.

The following poem is engraved on the wall of Mother Teresa's home for children in Calcutta. The source is unknown.

People are often unreasonable, illogical, and self-centered;
Forgive them anyway.

If you are kind,
people may accuse you of selfish ulterior motives;
Be kind anyway.

If you are successful,
you will win some false friends and some true enemies;
Succeed anyway.

If you are honest and frank,
people may cheat you;
Be honest and frank anyway.

What you spend years building,
someone could destroy overnight.
Build anyway.

If you find serenity and happiness,
they may be jealous;
Be happy anyway.

The good you do today,
people will often forget tomorrow;
Do good anyway.

Give the world the best you have,
and it may never be enough;
Give the best you've got anyway.

You see, in the final analysis
it is between you and God;
it was never between you and them anyway.

* * * * *

This song was recommended by Victor in a comment a few days ago, and so this post is dedicated to him to honor his birthday.

De estas calles que ahondan el poniente,
una habrá (no sé cuál) que he recorrido
ya por última vez, indiferente
y sin adivinarlo, sometido

a quien prefija omnipotentes normas
y una secreta y rígida medida
a las sombras, los sueños y las formas
que destejen y tejen esta vida.

Si para todo hay término y hay tasa
y última vez y nunca más y olvido
¿Quién nos dirá de quién, en esta casa,
sin saberlo, nos hemos despedido?

Tras el cristal ya gris la noche cesa
y del alto de libros que una trunca
sombra dilata por la vaga mesa,
alguno habrá que no leeremos nunca.

Hay en el Sur más de un portón gastado
con sus jarrones de mampostería
y tunas, que a mi paso está vedado
como si fuera una litografía.

Para siempre cerraste alguna puerta
y hay un espejo que te aguarda en vano;
la encrucijada te parece abierta
y la vigila, cuadrifonte, Jano.

Hay, entre todas tus memorias,
una que se ha perdido irreparablemente;
no te verán bajar a aquella fuente
ni el blanco sol ni la amarilla luna.

No volverá tu voz a lo que el persa
dijo en su lengua de aves y de rosas,
cuando al ocaso, ante la luz dispersa,
quieras decir inolvidables cosas.

¿Y el incesante Ródano y el lago,
todo ese ayer sobre el cual hoy me inclino?
Tan perdido estará como Cartago
que con fuego y con sal borró el latino.

Creo en el alba oír un atareado
rumor de multitudes que se alejan;
son lo que me ha querido y olvidado;
espacio, tiempo y Borges ya me dejan.




Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone

Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.

If there is a limit to all things and a measure
And a last time and nothing more and forgetfulness,
Who will tell us to whom in this house
We without knowing it have said farewell?

Through the dawning window night withdraws
And among the stacked books which throw
Irregular shadows on the dim table,
There must be one which I will never read.

There is in the South more than one worn gate,
With its cement urns and planted cactus,
Which is already forbidden to my entry,
Inaccessible, as in a lithograph.

There is a door you have closed forever
And some mirror is expecting you in vain;
To you the crossroads seem wide open,
Yet watching you, four-faced, is a Janus.

There is among all your memories one
Which has now been lost beyond recall.
You will not be seen going down to that fountain
Neither by white sun nor by yellow moon.

You will never recapture what the Persian
Said in his language woven with birds and roses,
When, in the sunset, before the light disperses,
You wish to give words to unforgettable things.

And the steadily flowing Rhone and the lake,
All that vast yesterday over which today I bend?
They will be as lost as Carthage,
Scourged by the Romans with fire and salt.

At dawn I seem to hear the turbulent
Murmur of crowds milling and fading away;
They are all I have been loved by, forgotten by;
Space, time, and Borges now are leaving me.

¿Dónde estará mi vida, la que pudo
haber sido y no fue, la venturosa
o la de triste horror, esa otra cosa
que pudo ser la espada o el escudo
y que no fue? ¿Dónde estará el perdido
antepasado persa o el noruego,
dónde el azar de no quedarme ciego,
dónde el ancla y el mar, dónde el olvido
de ser quien soy? ¿Dónde estará la pura
noche que al rudo labrador confía
el iletrado y laborioso día,
según lo quiere la literatura?
Pienso también en esa compañera
que me esperaba, y que tal vez me espera.


Where can my life be, that which might
have been and never was, the adventurous
or that of sad horror, that other thing
which might have been sword or shield
and never was? Where is the lost
Persian ancestor or the Norwegian,
where the chance of not becoming blind,
where the anchor and the sea, where the everness
of being who I am? Where is the pristine
night offered to the rough peasant
by the illiterate and laborious day,
following the will of literature?
I think as well of that partner
who awaited me, and who maybe still awaits.